The Quietus | Features | Rum Music

Theresa Wong

As I create and listen this month, I’m packing excitedly for the initial publish-pandemic version of Supernormal, which will be above and performed with by the time you read through this. By up coming week I am anticipating to have a list of new discoveries to cover in here when deadline rolls about. This thirty day period even though, roll up roll up, for a bag of my favourites, such as a new Invoice Orcutt album and a tape of hurdy gurdy.

Considering that Bill Orcutt’s at the prime, I might also like to point out that there is certainly a 2LP variation of Harry Pussy’s You can expect to Hardly ever Engage in This City Yet again (formerly just a CD I believe?) just out on Palilalia. Other notable represses and reissues this month contain Gro Mig En Blomst on Badabing – an album of weathered lo-fi tracks by Discreet affiliate Astrid Øster Mortensen that was introduced in little quantities in 2021, as well as two Louis Moholo Blue Notes reissues, out by Cafe Oto. One swings in that gorgeously lush way that oozes from Spirits Rejoice, the other is truly taut and febrile. Lastly, you can find also a repress of Emahoy Tsegue Maryam Guebrou’s Spielt Eigene Kompositionen. She’s quite a great deal canon by now, but this Mississippi LP has been likely for huge-ish dollar of late so it truly is excellent to see it in stock yet again.

Vital studying this thirty day period is a unique concern of the songs journal Tempo, which marks Joan La Barbara’s 75th year on earth. There are essays on her Sesame Avenue contributions and a really in depth report on her time in West Berlin, amid other parts. Unmissable, and crucially, open access!

Anyway, need to be off to end Supernormal packing. I am not bathing just before I go, because from the roofless timber shower blocks you can see sunshine and scent the woodsmoke curling by the treetops as you rinse in interesting water. It is dreamy. I will arrive soiled on purpose so I have an excuse to clean.

Monthly bill Orcutt – Audio For 4 Guitars
(Palilalia)

I can not get sufficient of this man’s playing. This kind of power twang! He’s truly knocking it out the park the last number of a long time. Odds From Tomorrow from 2019 was remarkable – the very first monitor was 1 of my top rated Orcutts at any time. This new a person is also knocking me for 6 and is a killer synthesis of various Orcutts – you’ve bought the Phony Estates Invoice Orcutt who does points like A Mechanical Joey and Gradual Troll (in a lineage that goes again to Harry Pussy’s Let’s Establish A Pussy) and typical/ American Bluesman Invoice Orcutt, epitomised by his gnarled and triumphant ‘Star Spangled Banner’ or stinging addresses of other songbook classics. The third strand is collaborations, and even though the modern Corsano a person was excellent I like him best solo, on guitar. Tunes For 4 Guitars provides some of the formalism of some of the Bogus Estates releases in that it has an architecture ruling it, but the palette and blistering intensity is overall gnarled Americana. Whether it really is one guitar or 4, I reckon he’s my favourite dwelling guitarist, no joke. 

Dorothy Carlos – Circuit Spectre
(American Dreams)

The monitor titles on this short launch by Chicago seem artist Dorothy Carlos (collaborating with New York artist and synth builder Brian Oakes, who is only detailed in the produce up) nearly go to type a sentence with alluring blanks. “I commenced… With command… And found… A new… In the air”. An pleasing problem: A new what in the air? Locate your respond to in the EP, which is 15 minutes of geological tones rubbed in major grit sandpaper, or like asphalt becoming laid in a blizzard. It is really made on Oakes’s Untitled Seem Program synth, which – if I comprehend this Instagram write-up effectively – is a framed and wall-mounted array of circuit boards, knobs and wires (absolutely no Eurorack). It can be a reasonably diminutive scale for the sound it pumps out, which is beefy and guttural, significant and troglodytic. Carlos is a cellist and audio artist who mostly works in installation and overall performance (she’s just finishing an MFA in seem in Chicago), although Oakes is a sculptor and would make all sorts of mad electronics. His website is fairly the wormhole. Much more be sure to!

Valentina Magaletti & Yves Chaudouët – Batterie Fragile
(Un je-ne-sais-quoi)

The audio porcelain can make – a clear ringing – is tied up in its hundreds of years-outdated definition. And so it can make sense to make an instrument out of it, conceptually speaking. The Batterie Fragile is a drum kit created of porcelain by French artist Yves Chaudouët, and it has neither the obvious ring of legitimate porcelain, nor does it audio boring and thudding like the stable cheese drumkit Han Bennink when performed and which it incredibly significantly resembles. It is hollow. Magaletti opens as if showcasing the kit – this is the whooping seem of a dragged mallet here’s a glassy tinkling, a tinny clatter, a resonant thunk of rubber on tough white ceramic. I like Magaletti greatest when she leans in to the Liebezeit, which she does here after she’s finished a recce. The rhythms flex and roll, shifting through many driving grooves that would be rather kosmische if they were not becoming performed on a porcelain package. Some components of this remind me a good deal of the Cyclopean EP by Burnt Friedman, Jono Podmore, Liebezeit and Irmin Schmidt, and whilst I tend to glimpse askance at the ‘musician plays an art piece’ schtick, this is great.

Jem Finer – Hrdy-Grdy
(Thanet Tape Centre)

Neither historical nor modern day, artist Jem Finer’s fantastic Hrdy-Grdy album shadow containers with its references and inanimate collaborators. There is certainly a duet with a gate, with a freight coach, and with some drone-manufacturing electronics and things that layers it all up. Gurdys can seem ragged with toothy jaws, or be used to lay down thickets of elongated drones for as extensive as an arm can crank a take care of, but this is some thing beautifully in-between. Tones change like mists on rolling hills in weird gentle but chorus from romance: there are no bucolic or pastoral scenes in this article, but neither is there gothic dread. Alternatively, the shriek and wail of large equipment and the refined electronic (and cast iron) augmentations illuminate the gurdy’s means to forge a hyperlink involving the rural and the industrial in its intrinsic fusion of fiddle and engineering. It strikes me it is potentially about imagining devices making their own classic tunes. I appreciate a hurdy gurdy album, but I genuinely adore this hurdy gurdy album.

Bachir Attar With Elliott Sharp – In New York
(Fortuna Information)

Grasp Musician of Jajouka Bachir Attar listed here in 1990 taking part in typically with gradual-BPM clap-heavy drum devices by American composer and musician Elliott Sharp (who has produced on Tzadik and collaborated with everyone from Debbie Harry to Merzbow and Christian Marclay). Now, normally I stick to stuff I’ve been loving in this column, but I’m going through wild emotional swings with this just one. Sticking a drum device underneath nicely-made acoustic musical tradition is usually a deeply cursed matter to do, and I’m essentially not 100% confident it was a very good concept right here. It highlights a thing I’m turning into suspicious of in my personal ears extra generally – is this essentially a little something pretty flawed that I’m seeking at by way of my rose-tinted historical past glasses? Has the passage of time created one thing so-so feel impressive? I am in They Dwell, but when the sun shades are on you can see that the reissues shelf just suggests Purchase Obtain Acquire instead of “legendary” “unearthed” and so on? (I truly feel specific an individual has manufactured this gag ahead of.) Anyway, jury’s out, I are not able to get a clear study, except to say that for the most portion, I am savoring the moments of substantial friction in the lo-fi generation and the clashes of these two varieties.

Dewa Alit & Gamelan Salukat – Chasing the Phantom
(Black Truffle)

Also exploring some equipment-like poetic rhythms on an acoustic instrument is another new gamelan album from Dewa Alit on Black Truffle, subsequent on from Genetic in 2020. This just one arrived just a moment far too late for my final Rum Audio and has been unfurling in my ears for a month. All machines could possibly be believed of as orchestras of shifting areas, and listed here Alit leans into the way gamelan can reproduce patterns and timbres redolent of electronics, the thought driving it remaining the way Balinese memedi (common phantoms or spirits) are now passed all over on social media. Its tight styles flash like the lights on a wall of analogue synths, its clipped polyrhythms in tones that are glassy not gong-y and seemingly include things like some unorthodox taking part in tactics, as properly as Alit’s tuning (which brings together two traditional Balinese gamelan scales). Recurring listens snag the ear, drawing out specific sequences like a wordsearch – I’ve acquired my ear in on a recurring melody in the center pitches of the driving punctuations and rolling polyrhythms of ‘Likad’.

Different – Two New Lips
(Regional Bears)

The 2nd quantity of a compilation on Stockport’s Regional Bears checking out several spoken phrase video games, abstracted storytelling and audio poetry. The concentrate is on the satisfaction of words and phrases positioned subsequent to one particular yet another hesitations and non-verbal utterances manipulations of tape and components scuffling. The line-up is fairly star-studded as underground tape compilations go, with contributions from crys cole, Sean McCann (who operates US seem poetry/chamber songs label Recital as properly as building his own operate), Zhu Wenbo (of Chinese non-new music label Zoomin’ Night time), among the some others. There are atmospheres and soundscapes in the supporting solid: gulls in cole’s piece ambient space sounds tape hiss in virtually almost everything. Highlights are the idle crooning of Zhu Wenbo singing to himself on ‘Walking Cha-Cha’ and this line from odd opener Russell Walker & Henry Holmes’ ‘Holy Gale’: “I you should not like the Stone Roses’ new music, as it really is way too bizarre”.

Theresa Wong – Practicing Sands
(Fo’c’sle)

A suite of tracks produced with (modest m) minimal means, with a lightness of line and determine in strings plucked and pitches bent by Chinese-American musician Theresa Wong. Couple long bowed notes or times of heaviness element, and are saved for the deep undulations of closer ‘Opening Sea’. There are alternate tunings and different prolonged tactics currently being made use of in this article, and some experiments to do with mic placement, but you definitely will not require to know or have an understanding of any of that to appreciate it. In the staccato ‘Sedimental’ the voice and strings shadow one another the track ‘Quiet Clearing’ is like gradual drinking water. Elsewhere there are trillings and sketched motifs mild skips and stumbling down the strings on fairy-light ft. It is really a peaceful album, interested in the options of listening to an instrument in a space. Since of this, it feels fascinated in itself (in a excellent way) and tuning into it is like becoming granted permission to listen in, too. It is enveloping but not calming, a creator of a private room concerning audio and listener.

AOB

A chunk of a chuffing incredible show by the tremendous group (supergroup) of Dali de Saint Paul, Agathe Max, Yoshino Shigihara (of Zun Zun Egui), Valentina Magaletti and Laura Phillips is on Youtube, the penultimate clearly show in 
Dali de Saint Paul’s EP/64 series . Necessary.

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